Stuck Between College and a Job Place.

1 of 12 portraits I drew of my college roommate
for a class at the U of I.

‘What do you want to be when you grow up?’ is a question posed to children probably every year after they start their educational career. The answers go through phases of reality. First are the imaginative princesses and cowboys, then the lofty presidents or rock stars and finally the more obtainable veterinarians, teachers or firefighters. By the time I wanted to be a vet, I was probably in fifth grade and that decision was based on the fact that I liked animals. Then I realized what vets really did and quickly changed my mind.

At a certain point, enough people praised me for being artistic and I liked to draw so… that was it. I was to be an artist. Later I also thought I would become a writer. Or a psychologist. Oh, maybe a journalist! My focus kept coming back to and remaining loosely on art so I started at community college to “figure it out” before I made it to a larger university. I apathetically took a variety of classes and left with an AA degree and still no concrete plan. I chose the University of Iowa next because Iowa State was too design oriented and I wanted to get into a “real" art program. My next grand idea was to become a photographer because that could have both practical and artistic futures. So I took a class but decided photo majors took themselves too seriously. As filler, I had taken an Intermedia class which I ended up liking and graduated Iowa with a BFA in.

I’m all “grown up” now and it has gotten me zero job and plenty of debt. I went through the cycle of school with just enough planning to keep me moving to the next thing, but then school ran out and I’m left wondering “what’s next?” That has since then snowballed into a deeper thought process about life. Thinking of it on a purely primitive level, we are created to procreate and raise a family. The cycle of life goes on and on, but that can’t be the point of it all, can it? The typical American values are kind of lost on me, marriage and kids, and working a 9-5. This typical mainstream livelihood just depresses me, especially when I’m constantly being surrounded with examples of marriages that don’t stick and seeing people whose personal problems stem from their parents. So my conclusion is that the point of life is to create a place in this world just for me and my happiness.

So what makes me happy? Currently I make coffee for minimum wage and never fill a forty hour workweek. It’s easy and flexible, but I struggle to make ends meet and let’s not think about the debts I need to pay off. It’s depressing and frustrating and hopeless, but I survive because I also play roller derby in the meantime.

I don't know how they put up with me, really.

Ah, roller derby. It’s starting to become a cliché it seems, that “roller derby saved my life!” But I know without it I would be completely lost and alone. Everyone I know, hang out with, and even live with is someone from my derby world. It gives me something to think about, plan for, and create for. I never wanted to be a teacher or anything that required me to interact with lots of people. I didn’t want anything to do with commercial art because I thought it was too technical. I was always told I was artistic and creative but never fully believed in it, so I never pushed myself to really become an “artist.” Now derby has dumped all my absolutes at the door, and left me wondering what I really want to do with my life.

Creating some of the posters for the
team has made me want to take some
design classes.

I went through seventeen years of school and never fully committed to anything I wanted to be, and then in two years of roller derby I’ve come to a few conclusions:

I enjoy a full contact sport. 

I would be in heaven if I could wear only leggings the rest of my life.

I actually can get along with women. 

I like design, networking and advertising after all.

I can only play a bone breaking sport for so long, but now I have a better idea of what else I can be passionate about. It has led me to think about taking some more classes and striving for a practical job that I actually want. I've just been doing things to do things and when I pictured myself at thirty recently, it was blank. It’s kind of nice to live day to day and do only enough to get by, but I like the idea of living above the surface instead of floundering below it.

 I also became one of the coaches for our fresh crop of new skaters. It’s not a position I had pictured myself doing, as it falls into the category of teaching and that was something I had crossed off my list long ago. The opportunity presented itself and I found myself really wanting to do it. The whole teacher thing finally clicked with me, that when it’s something you are passionate about, you want to share with other aspiring people the knowledge you have.

Running some dryland footwork drills with the fresh meat.

I have always had ideas about life… goals and aspirations, but they never really seemed to make it out of my head. It seems that in this recent assessment of my life, the whole world has opened up. I realize that all I have been doing is bitching and moaning and suggesting to myself how life should be instead of taking action to achieve it. I have got to take a cue from Left 4 Deadwards and just dive into the rest of my life head first. I know I have the potential to do everything I want, I just need to shut up and do it.

-Deadwards

Roller Derby (R)evolution.

When I tell people I play roller derby I often get a range of confused reactions. There’s the “Really?? You get to elbow girls and stuff?” or the “Wow, that’s so cool! Do people get hurt a lot?” and you can’t forget the blank stare “What’s that?” In the last year though, I’m more likely to get a “Oh! Like in Whip It?” At first I would just kind of nod my head but explain that we play flat track and it’s a bit different, and plus that movie didn’t really highlight the …well never mind. Eventually I just started saying “Yeah! Like the movie...”

I know I have turned into a bit of a derby snob and am just a wee bit tired of answering the same uninformed answers again and again, but I have to remind myself that the general public just doesn’t know any better. Roller derby is so new (I feel like I say this every post) that the small percent who may know what it is, may not know everything about it or even that there are multiple organized versions of modern derby. I didn’t even know this until recently and it kind of gives some insight into how the prevalent form, flat track roller derby, got to where it is today.

First let me give a brief history lesson that I learned from my derby bible, (Down and Derby) and set up the scene for modern roller derby. It was first trademarked by Leo Seltzer in 1935 when he combined dance marathons and roller skating and came up with a marathon roller race. Within the Chicago Coliseum people would skate the distance between New York and LA through laps on a banked track. By using both male and female competitors, he hoped to draw in more of a crowd, but it was seen more as a show instead of a sport. Add a little contact and a dramatic storyline and it was perfect for television starting in ’48. Leo passed the business to his son, Jerry, in 1959 and after a few rises and falls, it died in 1973.

Spandex. Blades. Elbows.
Welcome to RollerJam.

Enter the 80s. TV revived roller derby once again with an awkward love child of professional wrestling and American Gladiators, on skates. Rock-n-Roller Games was pure kitschy entertainment again with co-ed competitors and a banked style track and… an alligator pit? (Still can’t wrap my mind around that one.) That didn’t last long and then it popped up again in the 90s, but this time on rollerblades. RollerJam was seen more as sports entertainment, but still heavily scripted and corny.

All of these early versions of derby were motivated with the goal to sell a new version of entertainment and was often reliant on fickle television viewers. In the end, the melodrama outweighed the skill and people got over it quickly.

Finally in 2001 the beginnings of flat track roller derby began as some girls in Texas threw together a rough version of the game. Looking to the past they collaged together an all girl roller derby team that played on quad skates and a flat track. As a skater run endeavor, there was no third party to front the money to play or sign a television contract, the girls had only themselves to pull it off. Since a banked track is costly, time intensive to set up and needs to be stored, they adjusted the game to a flat track so they could play virtually anytime on any smooth, open surface.

After a few years of fine-tuning what began as a sport with a hint of sexy entertainment, roller derby began streamlining into the athletic version that is most practiced today. In 2004, with about 20 teams on the scene, the Women’s Flat Track Derby Association formed, and girls everywhere had a support system to look to when starting a team. 2005 began the first official set of WFTDA rules for flat track roller derby and has been updated every year to maintain a safe and fair skating environment as the sport evolves. To date there are 105 full member leagues and 46 apprentice leagues throughout the states, Canada and Europe as well as hundreds of WFTDA aspiring leagues all over the globe.

Anything goes in Renegade derby.

The first variant form of derby since the turn of the century would be Renegade leagues. In 2004, members of one of the earliest flat track teams, the Arizona Roller Derby, broke off to form the Renegade Rollergirls. This version essentially skates by no rules except for an aggressive Golden Rule standard and an “any surface anytime” motto. It was created with the desire for a fast paced game that wasn’t weighed down by penalties and highlighted the skaters’ skills. Three points are scored per lap, all sorts of blocks are allowed and refs aren’t needed. It results in a less complicated version of the game with an all out brutal twist. As of 2009 there are seven renegade teams.

In an effort to incorporate the older style of roller derby, the Old School Derby Association was formed in 2007 by the Penn Jersey She Devils. Combining older banked track with today’s flat track, they also aspire to have a less complicated game at high speeds, with aggressive action. OSDA developed a rule set in 2008, and can be played by men, women, and co-ed teams on banked or flat track.

The basic idea of the game is similar but the roles of jammer and pivot becomes a bit more interchangeable. After the first lap through the pack the jammer becomes “active” and can begin scoring points. Lead jammer status can change throughout the jam as it goes to which ever jammer is physically in the lead at the time. The pivot may take off and become jammer at anytime, especially if their jammer is in the box, but only one person may be scoring points at a time. The old school twist allows for triceps to be used in blocks, spin whips, and pivot blocks. (I still haven’t really figured out what the latter two really are…) Cutting the track, high/low blocks, tripping, and out of play penalties are all considered minors and result in one minute in the box. Things like deliberately pulling skaters down, fighting, biting, choking and kicking are majors and put a skater in the box for two minutes. An accumulation of eight penalty minutes ejects a player from the game. Currently eight leagues take part in the OSDA derby style.

Around that same time, Pioneer Valley’s Dirty Dozen, the New York Shock Exchange and Harm City Homicide, three men’s leagues, started the Men’s Derby Coalition to aid the interest men had in the flat track world. They don’t claim themselves to be a governing body yet, or associated directly with OSDA or WFTDA but do train and play by WFTDA standards. They started out playing alongside women, in exhibitions bouts at women’s bouts and scrimmaging against women, until they finally began holding their own double headers and tournaments. With about 11 MDC affiliated leagues they have their own tournaments and rankings within their growing support system.

This Is How I Roll - Working Trailer from Kat Vecchio on Vimeo.

A trailer for a documentary on men's derby and the opposition they face.

When Texas gave birth to modern roller derby, she really had two children. A split in the original revival resulted in two teams; the Texas Rollergirls, who remained flat track and the Texas Lonestar Rollergirls, who progressed as banked track team. Since then, a few more banked teams have popped up, but that trend remains slow and steady. The effort and space required for having and maintaining a banked track looks time intensive, and these teams often start as flat track teams until they have the means to switch to banked track. A recent visitor to our practice, Emma Grenade, came from the Arizona Derby Dames who recently made that switch. Her first time practicing flat track must have been quite the experience on our super slick floor, but the transition wasn’t too difficult for her. The World Organization of Roller Derby designed their banked track rules to be compatible with WFTDA rules so that skaters and refs may participate in either without being bogged down with too many differences. They play one minute jams, use their tricep to block, and skaters don’t visit the penalty box until after the jam ends. They also aren’t allowed to stop or skate backwards on the track for all you fans who are offended by “slow derby”…

Whip It featured banked track derby.

Some leagues like the San Diego Derby Dolls play both flat and banked, while others like the LA Derby Dolls play purely banked track. Episode #31 of the Derby Deeds podcast had a conversation with the Tilted Thunder Railbirds from Seattle about their recently acquired banked track. Through lots of research and hard work they began their team with a strong base of organization and planning, added LOTS of fundraising, and then finally built their very own banked track. From what I understood, they did not have flat track beginnings, but knew that they wanted banked track and did everything they could to make that possible. 

The evolution of roller derby throughout the years has affected all of the versions played today. Some people had looked back nostalgically and incorporated practices of what was. Others looked forward in an effort to emphasis the athleticism of women and how a made up game can be improved. It's truly amazing what people all over have created with their own hands, and I think that is the true spirit of every kind of roller derby that lives on today.

-L4D

Edit: Well, this post prompted more discovery! There is also "Derby Lite". A non contact version of women's derby that focuses on fitness. Check out this video to see more...